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This article is about the first season of the Original TV Series. For other pages with the same name, see Season 1 Season 1 of AMC's The Walking Dead premiered on October 31, 2010, and concluded on December 5, 2010, consisting of 6 episodes. Developed for television by Frank Darabont, who wrote or co-wrote four of the season's six episodes and directed the pilot episode, "Days Gone Bye", the series is based on the eponymous series of comic books by Robert Kirkman, Tony Moore, and Charlie Adlard. It was executive produced by Darabont, Kirkman, David Alpert, Charles H. Eglee, and Gale Anne Hurd, with Darabont assuming the role of showrunner. This season adapts material from issues 1-6 of the Comic Series. It introduces notable comic character Rick Grimes Andrew Lincoln, who awakens from a coma, after being shot, in a post-apocalyptic world filled with flesh-eating zombies, dubbed "walkers". After befriending Morgan Jones Lennie James, Rick sets out to find his family and discover the origins of the walker virus. Plot "Days Gone Bye" Wounded in the line of duty, King County sheriff's deputy Rick Grimes wakes from a coma to find the world infested by zombies. Alone and disoriented, he sets off in search of his wife and son. Rick soon encounters two other survivors - Morgan Jones and his son, Duane. Morgan gives Rick additional information about the situation, explaining that the undead are driven to eat the living. "One thing I do know, don't you get bit," Morgan says. "Bites kill, then you become one of them." Duane then speaks "I saw it happen." Morgan saw the transformation first-hand. His wife Jenny was bitten, and then turned into a "Walker." Now she haunts him and his son, frequently returning to the house where she died. Rick takes Morgan and Duane to the King County Sheriff's Department, where they stock up on guns and ammunition. Rick is headed for Atlanta, where a refugee center has formed and the CDC is supposedly working on a cure. Along with a rifle, Rick gives Morgan a walkie-talkie, with instructions to check in daily at dawn so the two men can reunite later. En route to Atlanta, Rick runs out of gas near a farmhouse, where he finds a horse to ride the rest of the way. Meanwhile, Lori and Carl are living in a camp outside Atlanta, with Shane Walsh, Rick's high school friend and partner. There are many other survivors present, including Amy, Dale Horvath, Jim, and the Morales and Peletier families. Believing Rick to be dead, Lori has begun a romantic relationship with Shane, who is the group's de-facto leader. "Guts" In a deserted Atlanta, Rick is overwhelmed by hordes of Walkers. They topple his horse and force him to retreat inside a tank. Guided by Glenn, an adventurous young man who instructs him via radio, Rick grabs a gun and grenade and flees for his life. Glenn then leads Rick to a department store, where they meet up with other survivors Andrea, Morales, Jacqui, T-Dog, and Merle Dixon — a redneck ex-con. After the volatile and racist Merle attacks T-Dog, Rick handcuffs Merle to the store rooftop. Rick then hatches an escape plan, which involves Rick and Glenn smearing themselves with Walker guts as camouflage. Having navigated through the crowd of Walkers, Rick drives off in a cube van to evacuate the survivors. Glenn helps to lure the undead with the sound of a car alarm in a hot-wired Dodge Challenger. Back on the rooftop, T-Dog accidentally drops the handcuff key down a ventilation pipe, then chains the access door shut so the stranded and furious Merle will be relatively safe from hungry Walkers. "Tell It to the Frogs" Driving back to camp, Morales warns Rick about Merle's brother, Daryl, who will be angry that his brother was abandoned. Glenn arrives at camp first, and Shane and Dale chastise him about drawing Walkers with the car alarm. Jim disconnects the alarm just as the cube van approaches. Andrea tearfully reunites with Amy, her younger sister, as does Morales with his family. Rick then emerges from the van and is shocked to discover Lori and Carl living at the camp. Later that night, Lori tells Rick she was told he would be Medevaced to Atlanta. But it never happened. "Mom said you died," Carl says. "She had every reason to believe that," Rick replies, before thanking Shane for saving them. That night, Rick and Lori have sex in their tent, vowing to each other that this is a new beginning in their marriage. The next morning, Rick and the others find a Walker feasting on a freshly-hunted deer in the woods. Jim theorizes the undead are running out of food in the city. Daryl returns from an overnight hunt. After being informed of his brother's whereabouts, Daryl attacks Rick and Shane, who subdue him. Daryl vows to retrieve his older brother, horrified at the idea that they left Merle bound and unable to fend for himself. Rick volunteers to go with him, as do Glenn and T-Dog. "You're putting every single one of us at risk," Shane says, arguing they need everybody to protect the camp. Rick contends that they really need the guns that he dropped when the geeks attacked. Lori is against it, but Rick tells her he has to get the walkie-talkie back. Otherwise Morgan and Duane could walk into the same trap he did. After Rick departs, Lori tells Shane to keep away from her family. "You are the one that told me that he died," Lori seethes. Nearby, an altercation breaks out between Ed Peletier and his meek wife, Carol. After Ed slaps Carol, Shane intervenes and beats the man mercilessly. In Atlanta, Rick and company head to the department store where Merle was left. Reaching the door they had barricaded, they see the chains have been broken. They then find the rooftop deserted, save for a severed hand lying, bloodied, beside a hacksaw. Daryl screams, as the screen cuts to black. "Vatos" The Atlanta crew follows Merle's trail of blood down to the streets. They decide to retrieve Rick's guns before continuing the search. Glenn goes for the guns while the others stand guard. Their plan is derailed when Daryl is jumped by two men. Glenn is then taken hostage, and brought to an inner city fortress. Although his captors at first seem hostile, it turns out to that they are simply locals who are trying to protect elderly survivors in a nursing home. Glenn is set free, and Rick passes on some guns to the nursing home staff. Rick, Glenn, T-Dog, and Daryl then discover their vehicle is missing. "Merle," Rick says. "He's going to be taking some vengeance back to camp," Daryl predicts. Back at camp, Andrea and Amy present fellow survivors with fish caught in a nearby lake. Dale interrupts the excitement to express concern over Jim, who is feverishly digging holes without explanation. Shane subdues Jim, who cannot remember exactly why he was digging "I had a reason, don't remember," he says. "Something I dreamt last night." Andrea, meanwhile, roots through Dale's RV. She's looking for something to wrap up Amy's birthday present a mermaid necklace she took from the department store. Later, the group feasts on fish around the campfire and the mood takes on a lighter note. When Amy steps away to go to the bathroom in the RV, she is bitten on the arm by an unseen roamer—one of many about to attack the camp. Rick and his cohorts arrive and drive the Walkers back. They are too late, though, to save Amy or Ed. Jim has also been bitten during the attack. "Wildfire" The survivors burn the Walkers, though Glenn insists they should bury their dead. Andrea cradles Amy nearby, unwilling to let anyone near the body. Dale commiserates, explaining that since his wife's death, "you girls were the first people that I cared anything for." Andrea tells Dale she feels guilty for missing so many of Amy's birthdays. "I'm sorry for not ever being there," Andrea weeps, kneeling next to a now re-animated Amy. She tells Amy that she's here now and loves her. Then she puts her down with a shot to the head. When Jim's injury is revealed, and the sickness associated with infection worsens, Rick suggests the group go to the CDC for help. Shane thinks the Army base in Fort Benning is safer, but it is 125 miles away. While sweeping the forest for any remaining roamers, Shane tries to convince Rick to change his mind. "I've gotta do what's best for my family," Rick says. "If it was your family you'd feel differently." Enraged, Shane aims his gun at an unknowing Rick, but doesn't pull the trigger. Rick didn't see Shane's actions after their argument, but Dale had been watching the entire spectacle. "Jesus," he mutters. Later, Shane announces his support of Rick's plan. Morales says that his family will not be joining the group, and they head off in a different direction. En route to the CDC, the RV breaks down. Jim, in agony, asks Rick to leave him behind. "I want to be with my family," he says of his late wife and children. The group reluctantly leaves him beneath a tree. In a CDC laboratory, disheveled scientist Dr. Edwin Jenner performs experiments on a tissue sample designated "TS-19". He then accidentally spills corrosive fluid, initiating a decontamination sequence that destroys the samples. Meanwhile, Rick's caravan approaches the CDC. Jenner watches the group's approach via a security monitor. "TS-19" Jenner agrees to allow the survivors into the building, provided they submit to blood tests. The group then feasts on food and wine, and luxuriates in hot showers. Afterward, Andrea laments the fall of civilization as Dale attempts to comfort her. Later, Shane drunkenly confronts Lori, professing his love and insisting he didn't lie about Rick being dead. Drunk and out of control, Shane tries to force himself on Lori, who scratches his face and neck to stop him. Horrified by his own behavior, Shane flees, leaving Lori shaken and afraid. The next morning, Jenner shows the group brain scans of Test Subject 19, his wife, who allowed her infection to be recorded. He admits he does not know what the disease is or how to treat it. Also, he has lost contact with any other facilities. Worse yet, the CDC's generators are running out of fuel. When they are empty, the building will self-destruct as per a decontamination protocol. Though at first he tries to convince them to stay, Jenner agrees to let Rick and the others flee when the self-destruct is activated. Jacqui, terrified of ending up like Amy or Jim, opts to stay behind. After a fiery explosion, Rick and his fellow survivors caravan away from the smoldering rubble, destination unknown. Episodes Title Writers Directors Original Air Date Viewers 1. "Days Gone Bye" Frank Darabont Frank Darabont October 31, 2010 million 2. "Guts" Frank Darabont Michelle MacLaren November 7, 2010 million 3. "Tell It to the Frogs" Frank DarabontCharles H. EgleeJack LoGiudice Gwyneth Horder-Payton November 14, 2010 million 4. "Vatos" Robert Kirkman Johan Renck November 21, 2010 million 5. "Wildfire" Glen Mazzara Ernest Dickerson November 28, 2010 million 6. "TS-19" Adam FierroFrank Darabont Guy Ferland December 5, 2010 million Title Screen Main article Title Screens TV Series Cast Deaths Summer Alive, Confirmed Fate; Zombified Jenny Jones Alive, Confirmed Fate Leon Basset Alive and Zombified Hannah Zombified Mrs. Siggard Confirmed Fate Mr. Siggard Confirmed Fate Siggard's Horse Wayne Dunlap Alive, Confirmed Fate; Zombified Jim's Wife Confirmed Fate Jim's Two Sons Confirmed Fate Ed Peletier Amy Alive and Zombified Irma Horvath Confirmed Fate Jim Alive Candace Jenner Alive and Zombified, Confirmed Fate Edwin Jenner Jacqui 3 unnamed criminals 1 unnamed cat Confirmed Fate 1 rat 1 deer At least 13 unnamed Atlanta camp survivors Several squirrels Numerous CDC scientists Confirmed Fate Numerous patients and hospital staff Several Military soldiers Production Conception Robert Kirkman, who created the comic book series in 2003,[1] says he had considered the idea of a Walking Dead television series, but never actively pursued it. "I certainly wanted it to happen, just because I knew it would be good for the book... I'm certainly not against adaptations, like some creators." When Frank Darabont became interested in adapting the comic books for television, Kirkman said it was "extremely flattering" and went on to say that, "He definitely cares about the original source material, and you can tell that in the way he's adapting it. It's an extreme validation of the work... Never in a million years could I have thought that if Walking Dead were to ever be adapted that everything would be going this well. I think that that's all because of Frank." Darabont himself had been a fan of the zombie genre since seeing George A. Romero's 1968 film Night of the Living Dead when he was fourteen years old.[2] ""Night of the Living Dead" had this weird vibe that was almost - it was like pornography... It had this marvelously attractive, disreputable draw... I loved it immediately." Darabont recalls walking into a comic book store in Burbank, California and seeing The Walking Dead on the shelf in 2005. "Being that I've always had "the love of zombies genre," I of course grabbed it, took it home and read it, and immediately started pursuing the rights to it. I thought it would make a great TV show... I loved the idea of an extended, ongoing, serialized dramatic presentation set in the zombie apocalypse." He described the process of developing the series and getting it set up at a network as "four years of frustration," and credits executive producer Gale Anne Hurd with finally getting the series on AMC. "I can't remember what the hell prompted her to read it [the script], but she said, "Wow, I really love this pilot you wrote. What are you doing with it?" I said I'd been trying to set it up forever... She said "I think AMC might be the place to take this." She did, and then bam! They were immediately interested. I had to credit Gale, her insight into marrying the material and the buyer." Writing Darabont's original pilot script was split in half and embellished, making the first two episodes instead of one, "...just to slow the narrative down and dig into the characters more deeply, so it's not just plot-driven, event-driven stuff. You really want to drag these characters into the equation." To write the remaining episodes of the season, Darabont recruited Charles H. Eglee, Adam Fierro and Glen Mazzara, all of whom he had worked with while directing an episode of The Shield. Jack LoGiudice also joined the writing team, along with Robert Kirkman, also an executive producer. "I have the best of both worlds," says Kirkman. "It was a lot of fun writing Episode 104, and I'm hoping if it continues into Season 2, I'll be able to write more episodes." Filming Principal photography for the pilot episode, "Days Gone Bye", began on May 15, 2010[3] with the subsequent five episodes beginning filming a few weeks later on June 2. The first season was filmed in and around Atlanta, Georgia where the episodes were primarily set.[4] Promotion The show's official website released a motion comic based on the first issue of the original comic and voiced by Phil LaMarr.[5] The site also posted a making-of documentary primarily about the first episode, as well as a number of other behind-the-scenes videos and interviews. In the documentary, comic series creator and show executive producer Robert Kirkman as well as artist Charlie Adlard expressed that they were pleased with how faithful the show is to the comic and remark on the similarities between the actors and the comic's original character drawings.[6] Several scenes from "Days Gone Bye" were screened July 23, 2010 as part of the 2010 San Diego Comic-Con International.[7] Hurd asserted that "[they] really are doing six one-hour movie",[8] and Darabont insisted that the series would closely reflect the development in the comics. "The path is a very strong template. But we're going to take every interesting detour we feel like taking. As long as were staying on the path of what Robert has done, I don't see any reason not to. If they have patience we'll eventually catch up to what Robert is doing."[8] The Walking Dead debuted during the same week in 120 countries. "Days Gone Bye" premiered in Hong Kong on TVB Pearl on August 30, 2011,[9] while it expanded in international markets during the first week of November.[10] Two weeks prior to its official premiere in the United States, the contents of the episode leaked online.[11] As part of an expansive campaign to advertise and heighten anticipation for the premiere, international broadcasting affiliates of AMC and Fox coordinated a worldwide zombie invasion event proceeding days prior to premiere of the episode in the United States. The event occurred in twenty six cities worldwide,[12] and were hosted in select locations including the Brooklyn Bridge in New York City, Lincoln Memorial in Washington, Palace of Westminster in London, Bosphorus Bridge in Istanbul, Acropolis of Athens in Athens, and the Museo del Prado in Madrid.[12][13] The campaign events commenced in Hong Kong and Taipei, and culminated in Los Angeles.[13] The Walking Dead was included on the cover of the December 2010 edition of Entertainment Weekly, which featured Rick Grimes pointing a gun at a horde of walkers.[14] According to the journalist of the magazine, it "examines the past, present, and future" of the television franchise; "from the comic book's humble beginnings, to unlikely path to the small screen, to even more unlikely path as a bona fide hit."[14] Kirkman was ecstatic upon hearing of the news. "I've got to say—not to kiss your magazine's a– or anything—but when they called me and said Frank [Darabont] wanted to do the show, I was like, 'Yeah, I'll believe it when I see it.' And then when AMC was like, 'We're picking up the show,' I was like, 'Yeah, alright, whatever.' When they actually started shooting the pilot I was like, 'Well, this is kind of real, this is neat.' But when they called me and said, 'Your show's on the cover of Entertainment Weekly,' I think that was the first time I was like, 'Oh my god, I can't believe this is happening to me!'"[15] Reception Critical Response The first season of The Walking Dead received generally positive reviews from critics. On Metacritic, the season holds a score of 82 out of 100, indicating "universal acclaim", based on 25 critics.[16] On Rotten Tomatoes, the season holds an 87% with an average rating of out of 10, based on 31 reviews. The site's critical consensus reads "Blood-spattered, emotionally resonant, and white-knuckle intense, The Walking Dead puts an intelligent spin on the overcrowded zombie subgenre." Following the second episode, Simon Abrams from Slant Magazine awarded the show three and a half stars out of a possible four; "To say that Darabont has kicked his series off with a bang would be a serious understatement ... [he] has fashioned a fully realized alternate reality and it's a thrilling thing to experience."[17] The pilot episode, "Days Gone Bye", was well received. On Rotten Tomatoes, it holds a 100% with an average rating of out of 10, based on 12 reviews. The site's critical consensus reads "The debut delivers intense horror set apart by its focus on tragedy and the human condition - not to mention awesome zombie kills."[18] Following the episode's debut, Matt Roush of TV Guide called the series "a stark and harrowing survival parable ... visually stunning ... and daring in its artful use of silence".[19] Following the second episode, Simon Abrams of Slant Magazine awarded the series three and a half stars out of four, writing "To say that [Frank] Darabont has kicked his series off with a bang would be a serious understatement ... [he] has fashioned a fully realized alternate reality and it's a thrilling thing to experience."[20] In response to the season finale, James Poniewozik of Time magazine gave the first season a glowing review, writing "The show has an urgency and bravery that make it something special."[21] Josh Jackson of Paste magazine rated the episode an out of 10 and also praised the season by writing "the characters are worth caring about" despite "occasional stilted monologues, quick tempers and unfortunate stereotypes".[22] However, some reviews were mixed, including Kofi Outlaw of Screen Rant who concluded the series "still hasn't really defined itself as anything more than a vague survival story about the human condition" but added that he is "one of those Dead-heads already chomping at the bit for season 2".[23] Sean McKenna of TV Fanatic also offered mixed criticism, writing the freshmen show "had its ups and downs" noting that the second season should focus on "a more specific story arc and strengthening of the character development".[24] Logan Hill of Vulture magazine was more critical, claiming the episodes contained "atrocious dialogue" and "a lot of plot machinery that has been contrived to create action suspense but ... hasn't really moved the story itself anywhere in particular", though he admitted the fifth episode showed "flashes of promise".[25] Accolades The first season of The Walking Dead was named one of the Top 10 Television Programs in 2010 by the American Film Institute, stating "The Walking Dead feeds our hunger for a new take on a classic genre. Zombies have long breathed life into the horror of human nature in an extreme state, but here writer/director/executive producer Frank Darabont smashes the boundaries of terror on television. The Walking Dead also understands the power of silence, as a slowly turning doorknob may reveal our deepest fear — the loss of our own humanity."[26] The season was also nominated for Best Television Series – Drama at the 68th Golden Globe Awards and Best Drama Series at the 1st Critics' Choice Television Awards.[27][28] It was also nominated for Outstanding New Program at the 27th TCA Awards and New Series at the 63rd Writers Guild of America Awards.[29][30] In addition, the pilot episode, "Days Gone Bye", won Best Edited One-Hour Series for Commercial Television at the 61st American Cinema Editors Eddie Awards; the second episode, "Guts", won Best Sound Editing – Short Form Dialogue and ADR in Television at the 58th Golden Reel Awards.[31][32] For the 37th Saturn Awards, the season received the most nominations on the television side with six,[33] winning one—Best Television Presentation.[34] The nominations were for Best Actor on Television Andrew Lincoln, Best Actress on Television Sarah Wayne Callies, Best Supporting Actor on Television Steven Yeun, Best Supporting Actress on Television Laurie Holden, and Best Guest Starring Role on Television Noah Emmerich.[33] At the 63rd Primetime Creative Arts Emmy Awards, "Days Gone Bye" won Outstanding Prosthetic Makeup for a Series, Miniseries, Movie, or Special, and was nominated for Outstanding Sound Editing for a Series and Outstanding Special Visual Effects.[35] Additionally, Frank Darabont was also nominated for Outstanding Directorial Achievement in Dramatic Series for his work on "Days Gone Bye".[36] Ratings The pilot received million viewers, making it the most-watched series premiere episode of any AMC television series.[37] The first-season finale received 6 million viewers, a season high; with 4 million viewers in the 18-49 demographic, making it the most watched basic cable series for the demographic.[38] The first season had an average of million viewers and a rating of in the 18-49 demographic.[39] In the United Kingdom, it premiered one week after it did in the United States, on November 5, 2010 on digital channel, FX. The premiere had 579,000 viewers, almost double for any other show on FX that week. The viewership dipped during the season then rose to 522,000 viewers for the final episode.[40] The terrestrial premiere on Channel 5 on April 10, 2011, averaged million viewers.[41] Based on its ratings, the series was renewed for a second season on November 8, 2010. Home Media Releases The first season was released on DVD and Blu-ray in region 1 on March 8, 2011 and in region 2 on May 16, 2011.[42] Special features on the sets include six featurettes—"The Making of The Walking Dead", "Inside The Walking Dead Episode 1–6", "A Sneak Peek with Robert Kirkman", "Behind the Scenes Zombie Make-Up Tips", "Convention Panel with Producers", and "The Walking Dead Trailer". Also included are other behind the scenes featurettes—"Zombie School", "Bicycle Girl", "On Set with Robert Kirkman", "Hanging with Steven Yeun", "Inside Dale's RV", and "On Set with Andrew Lincoln". A three-disc special edition of the first season was released on DVD and Blu-ray on October 4, 2011. The sets include all the previous special features, plus brand new extras. The new extras include audio commentary on all six episodes, the black and white version of the pilot episode, and six new featurettes—"We Are The Walking Dead", "Bring Out the Dead KNB and the Art of Making Zombies", "Digital Decay The VFX of The Walking Dead", "No More Room in Hell The Walking Dead Phenomenon", "Adapting the Dead", and "Killer Conversations Frank Darabont & Greg Nicotero". In addition to those releases, a limited edition Blu-ray collector's tin contains an exclusive wearable zombie mask from the National Entertainment Collectibles Association designed by the series own make-up artist, Greg Nicotero. Videos Official Trailers The Walking Dead HD TrailerComic-Con TrailerThe Walking Dead Season 1 Trailer english HDAMC Trailer Behind the Scenes The Making of The Walking Dead Season OneBehind the Scenes Trivia This season is mainly based on "Volume 1 Days Gone Bye" from the Comic Series. This is the only season so far to not have a majority of the cast absent in an episode. This is the only season with no main character deaths. However, this season has the most deaths of the original Atlanta group being 17 with Ed, Amy, Jim, and Jacqui and 13 unnamed camp members. This is the shortest season of The Walking Dead with a total of 6 episodes. It is also the only season to have less than 10 episodes. This is the only season to be aired without any mid-season hiatuses. This is the only season which lists guest actors as "Guest Starring" instead of the "Also Starring" label used in succeeding seasons. The song "Mr. Splitfoot In the Darkest Night" by Paris Motel and "The Sun Ain't Gonna Shine Anymore" by The Walker Brothers were used in the first half and second half of the trailer, respectively. Out of the 20 named characters at the camp, only 11 are actually in the Comic Series Rick, Lori, Carl, Shane, Carol, Sophia, Jim, Dale, Andrea, Amy, and Glenn. The Dixon brothers, T-Dog, Jacqui, Ed as well as Morales and his family, along with the 13 unnamed background survivors, are not characters in the comic book, although they are each besides the extras featured prominently in Season 1 of the TV Series. This is the only season in which Frank Darabont is the showrunner for The Walking Dead. References ↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠↠v • d • e Episodes of The Walking Dead Season 1 "Days Gone Bye" • "Guts" • "Tell It to the Frogs" • "Vatos" • "Wildfire" • "TS-19" Season 2 "What Lies Ahead" • "Bloodletting" • "Save the Last One" • "Cherokee Rose" • "Chupacabra" • "Secrets" • "Pretty Much Dead Already" • "Nebraska" • "Triggerfinger" • "18 Miles Out" • "Judge, Jury, Executioner" • "Better Angels" • "Beside the Dying Fire" Season 3 "Seed" • "Sick" • "Walk With Me" • "Killer Within" • "Say the Word" • "Hounded" • "When the Dead Come Knocking" • "Made to Suffer" • "The Suicide King" • "Home" • "I Ain't a Judas" • "Clear" • "Arrow on the Doorpost" • "Prey" • "This Sorrowful Life" • "Welcome to the Tombs" Season 4 "30 Days Without An Accident" • "Infected" • "Isolation" • "Indifference" • "Internment" • "Live Bait" • "Dead Weight" • "Too Far Gone" • "After" • "Inmates" • "Claimed" • "Still" • "Alone" • "The Grove" • "Us" • "A" Season 5 "No Sanctuary" • "Strangers" • "Four Walls and a Roof" • "Slabtown" • "Self Help" • "Consumed" • "Crossed" • "Coda" • "What Happened and What's Going On" • "Them" • "The Distance" • "Remember" • "Forget" • "Spend" • "Try" • "Conquer" Season 6 "First Time Again" • "JSS" • "Thank You" • "Here's Not Here" • "Now" • "Always Accountable" • "Heads Up" • "Start to Finish" • "No Way Out" • "The Next World" • "Knots Untie" • "Not Tomorrow Yet" • "The Same Boat" • "Twice as Far" • "East" • "Last Day on Earth" Season 7 "The Day Will Come When You Won't Be" • "The Well" • "The Cell" • "Service" • "Go Getters" • "Swear" • "Sing Me a Song" • "Hearts Still Beating" • "Rock in the Road" • "New Best Friends" • "Hostiles and Calamities" • "Say Yes" • "Bury Me Here" • "The Other Side" • "Something They Need" • "The First Day of the Rest of Your Life" Season 8 "Mercy" • "The Damned" • "Monsters" • "Some Guy" • "The Big Scary U" • "The King, the Widow, and Rick" • "Time for After" • "How It's Gotta Be" • "Honor" • "The Lost and the Plunderers" • "Dead or Alive Or" • "The Key" • "Do Not Send Us Astray" • "Still Gotta Mean Something" • "Worth" • "Wrath" Season 9 "A New Beginning" • "The Bridge" • "Warning Signs" • "The Obliged" • "What Comes After" • "Who Are You Now?" • "Stradivarius" • "Evolution" • "Adaptation" • "Omega" • "Bounty" • "Guardians" • "Chokepoint" • "Scars" • "The Calm Before" • "The Storm" Season 10 "Lines We Cross" • "We Are the End of the World" • "Ghosts" • "Silence the Whisperers" • "What It Always Is" • "Bonds" • "Open Your Eyes" • "The World Before" • "Squeeze" • "Stalker" • "Morning Star" • "Walk With Us" • "What We Become" • "Look at the Flowers" • "The Tower" • "A Certain Doom" • "Home Sweet Home" • "Find Me" • "One More" • "Splinter" • "Diverged" • "Here's Negan" Season 11 "Acheron Part I" • "Acheron Part II" • "Hunted" • "Rendition" • "Out of the Ashes" • "On the Inside" • "Promises Broken" • "For Blood" • "No Other Way" • "New Haunts" • "Rogue Element" • "The Lucky Ones" • "Warlords" • "The Rotten Core" • "Trust" • "Acts of God"

Lasaison 4 de Mr. Robot sera bientôt disponible en DVD et Blu-ray. En mars 2020. La date de sortie officielle est le 31 mars 2020. Comme c'était la dernière saison, la série complète sera également publiée le même jour. Vous pouvez actuellement précommander la

We finally know when the last slate of episodes is hitting Cardellini and Christina Applegate Saeed Adyani/NetflixLinda Cardellini and Christina Applegate Saeed Adyani/NetflixWith its many juicy twists and enticing crime-fueled drama, Netflix's Emmy-nominated comedy thriller Dead to Me from creator Liz Feldman flies by like a page-turning summer beach read. The series—starring Christina Applegate in a Golden Globe-nominated performance and Linda Cardellini as a messed-up pair of Laguna Beach BFFs who met through tragedy and came together over their shared love for The Facts of Life, Entenmann's, and, well, a handful of deaths and incriminating secrets that follow them wherever they go—has amassed a huge following for its sense of humor, the savvy way it handles trauma, and the breadcrumbs of jaw-dropping reveals at every turn that always leave you wanting Season 2 dropped in May 2020, it ended with the wild kind of cliffhanger the show has become known for, among many other open-ended questions that the series seems poised to answer in a third installment. While fans are left to guess what's next for the Thelma and Louise of Netflix, here's everything we know about Dead to Me Season 3 so far. Will there be a Season 3 of Dead to Me?Yes! Netflix announced in July 2020 that Dead to Me will return for a third—and final—season. Good things have to end eventually, and show creator Liz Feldman told Deadline that she never intended the show to be a long one anyhow. Feldman plotted out how the show was going to wrap up while working on Season 2, so have no fear The madness that is Jen and Judy's friendship should receive a satisfying end. "There was a certain point when we were in production on Season 2 when the end of the show came to me, pretty profoundly, so I realized, 'I know the story that I have to tell' and Season 3 feels like the right time to do that," Feldman said. "It’s just something that came to me organically, and I tend to try to follow the gut feelings I have."Fans of the show's dark humor will be glad to know that, even though Dead to Me, is wrapping up, it's not the last project from Feldman. Variety reported in May 2022 that the showrunner already has a series order for her next Netflix project, titled No Good Deed. The series is said to follow a handful of families vying to buy the same 1920s Spanish-style villa, which seems like the home of their dreams but turns out to be "a total nightmare." So while you're going to have to bid farewell to Jen and Judy, it looks like fans of the show are in for another twisty treat headed to streaming soon. When will Season 3 of Dead to Me premiere?In early May 2022, Variety announced that the final episodes of Dead to Me will hit Netflix sometime in fall 2022. There's no official premiere date quite yet, but here's to hoping it's sometime in early fall, as it's been two years since Season 2 arrived in spring 2020. We're just speculating, but that does seem feasible, as a Deadline report from late 2021 shared that filming was scheduled to wrap up in early 2022 and Applegate tweeted back in January that new episodes were coming "soon."The show began production in May 2021, although it stopped for a period of time in August when Applegate took to Twitter to share that she was recently diagnosed with multiple sclerosis, or MS. She tweeted, "A few months ago I was diagnosed with MS. It's been a strange journey. But I have been so supported by people that I know who also have this condition. It's been a tough road. But as we all know, the road keeps going. Unless some asshole blocks it." She also posted, "As one of my friends that has MS said, 'we wake up and take the indicated action.' And that's what I do. So now I ask for privacy. As I go through this thing. Thank you xo."How many episodes are there in Dead to Me Season 3? No official episode count has been confirmed, but considering both Seasons 1 and 2 had 10 episodes, that seems likely for the final installment, Marsden Saeed Adyani/NetflixWho in the cast will return for Dead to Me Season 3?There sure is a lot of murder on the twisty crime series, but the leads have yet to be killed off, at least. Christina Applegate and Linda Cardellini's BFF duo Jen and Judy may have gotten into a pretty brutal car crash at the end of Season 2, but it was clear they survived the accident, so you can be sure they'll be back for more. Considering the show is entirely based around their sometimes toxic/sometimes reliable friendship, they'll obviously be around for its entire Marsden will also be back as Ben. When Jen killed Judy's ex-fiancé Steve back at the end of Season 1, it seemed pretty clear that Marsden wouldn't be back on the show. Dead to Me managed to pull one of the oldest, soapiest tricks in the book, though, and brought him back as Steve's twin brother Ben—because who wouldn't want more Marsden? Ben is still around and wrapped up in the same drama as Jen and Judy, so he'll definitely return. In fact, Liz Feldman told Entertainment Weekly that "Ben goes on quite a journey" in the upcoming also mentioned, somewhat shockingly, that we'll see more of Marsden as Steve, too. At this point, that means flashbacks, but assume we'll learn more about his nefarious for the rest of the cast, Jen's kids Charlie Sam McCarthy and Henry Luke Roessler should continue to be in the mix, and the same goes for her annoying neighbor Karen Suzy Nakamura and detectives Ana Perez Diana Maria Riva and Nick Prager Brandon Scott. It's also possible that we'll see more of the police chief Howard Hastings Jere Burns, who was revealed to be corrupt and working with the mob at the end of Season 2. Last season introduced a handful of exciting additions, but it wasn't totally clear if we would be seeing more of them by the end. According to a Linda Cardellini fan account on Twitter, though, it does appear Judy's mother, played by Katey Sagal, will be back, and Natalie Morales, who plays Michelle, was also spotted on set. It's hard to say how much we'll be seeing of them—especially since Judy's mom is in prison—but it's possible their relationships become even more central to the plot. In terms of Frances Conroy, who joined the cast as Ben and Steve's mother Eileen Woods in Season 2, her appearance is still up in the will Dead to Me Season 3 be about?With Season 1 and Season 2 each focusing on one character's secret—the first being that Judy was involved with the hit-and-run that killed Jen's husband, and the second being that Jen didn't actually kill Steve in self-defense—Season 3 is set to be about somebody else's secret. Showrunner Liz Feldman told Refinery29 she knew where the upcoming installment would go, based on how Season 2 ended. She said, "Now there's somebody else with a secret." That's likely in reference to Ben, since he crashed into Jen and Judy while driving under the influence and drove away from the scene. As Feldman says, she's interested in continuing to explore the "constant give and take of, Do you tell somebody something if you know it will hurt them?" so the next installment should surround Ben's reckoning with abandoning the accident, potentially injuring Jen, whom he was romantically involved with, and whatever legal case Marsden even spoke to the possibility of Season 3 centering on the compounding dilemmas in Ben's life to TV Guide. He said, "Not only is he maybe going to find out that Jen was responsible for his brother's death, he's also guilty of a hit-and-run. And they were the victims of the hit-and-run. And his brother was guilty of a hit-and-run in the first season ... I believe [Ben] does make a conscious effort to look at himself in the mirror when no one else is looking and do the right thing ... but sometimes the forces can overwhelm."It seems like "the forces" will definitely start to "overwhelm," especially given all of the road cams in Jen's neighborhood that will likely prevent Ben's secret from remaining a secret for too long. And based on some paparazzi shots of the set featuring Christina Applegate in a wheelchair, it seems likely he's at fault for some injuries, not just driving away. Were that information to come out, Season 3 could also see Jen and Judy trying to find leverage over Ben if he proves to be a threat. Detective Perez may have let Jen go after she confessed to killing Steve, but now that the authorities found his body and the investigation is still on, if they're able to connect Jen and Judy to the crime and the evidence is definitely mounting up against them, they may need to cut some sort of deal with Ben so the two of them keep quiet about their respective also seems possible that Steve's money-laundering scheme and connection to the Greek mafia will come back in Season 3. We've yet to meet any of the shady figures that Steve was working with when he was still alive, and it was only just revealed that the chief of police is somehow involved too, so consider that a large focus of the upcoming season. Perhaps Jen, Judy, and Agent Perez will be able to force the mob into covering up the women's crimes, or maybe even more illegal activity is in their future. The SoCal pals' secrets just seem unable to stay secrets, no matter how hard they more Thrillist? Follow us on Instagram, Twitter, Pinterest, YouTube, TikTok, and Bell is the entertainment editorial assistant at Thrillist. She's on Twitter at mssadiebell.

All this and bagpipes, too?!? Season 7 of Fear the Walking Dead resumed on AMC Sunday with a trippy episode in which Alicia made a new friend, lost a new friend, engaged in some especially fanciful dream analysis and, yes, was treated along with the rest of us to some bagpipe-playing. And if you read on, we’ll go over all of the latest speed bumps and potholes that she hit on the never-ending road to mythical Padre. TO SLEEP, PERCHANCE TO SCREAM After “Follow Me” started us off with a dream sequence in which the late Sen. Vasquez’s reanimated corpse urged Alicia to follow him down the yellow brick road to Padre, our heroine awakened and made the acquaintance of a deaf musician named Paul, who had found her unconscious in a barn and taken her to his soundproofed house which seemed to have an endless supply of electricity, no?. Since to save him from a walker, she’d broken the stereo that he was blaring to feel the music a la Beethoven, he didn’t want her to leave without helping him obtain a new one. Priorities! Before they could run out to the closest post-apocalyptic Radio Shack, though, Arno came knocking like he was an Avon Lady doing Tusken Raider Raider cosplay. Too half-assed in his search of the house to notice Alicia hiding in the piano — yes, in it — Arno left Paul with a walkie-talkie to call him if she turned up. Just me, or does there appear to be a stunningly vast supply of post-apocalyptic walkie-talkies out there? Should we all have 50 lying around just in case? Once Arno left with his men in a truck full of walkers, Alicia and Paul got to know one another better. She admitted that her pursuer blamed her for getting a bunch of his people killed following Walker Vasquez to nowhere. “Hey, you tried,” Paul said. She didn’t have to keep beating herself up about it even if the Stalkers wanted to. For his part, Paul admitted that he played all of the instruments in the house except for the bagpipes, which had been his late wife’s thing. Eat your heart out, Lisa Simpson. Her scream was the last thing he heard before Teddy’s warheads blew out what had been left of his hearing; now the stereo helped drown out the sound. Just as the twosome found a new stereo at a concert hall, and Alicia invited Paul to join her in trying to take Strand’s Tower, Arno showed up. He would’ve fed Alicia to her “victims” in his truck if Paul hadn’t started shooting. In the ensuing melee, he dropped the stereo dang it!, and Arno escaped. No more did Alicia want Paul to join her. Arno was right, people around her got hurt, she decided. But Paul was now convinced that they could help one another drown out what they didn’t want to hear — his wife’s scream for him, that voice saying “Follow me” to her. A WAKING NIGHTMARE First, Alicia and Paul would have to dispense with Arno and the Stalkers. To do that, Paul walkie-talkie’d the villain to stop on by his house, at which point he’d attracted walkers by cranking the stereo that he’d lifted from his and Alicia’s getaway car. Things didn’t go quite according to plan, however. Walkers wound up in the house, the music died, Arno shot Paul, and he and Alicia found themselves holed up in a bedroom. He wanted her to go, she insisted that the wouldn’t… you know the drill. In the end, she allowed her dying pal to play the bagpipes to provide sonic cover for her to make her escape. On the road, she bumped into the girl who’d apparently helped her into that barn and, feverish as she was, collapsed. After that, we watched a variation of the dream that started the episode. This time, however, it wasn’t Walker Vasquez telling Alicia to follow him to Padre, it was Alicia telling herself to do so with all the series regulars behind her instead of the ill-fated Stalkers. When Alicia awakened, she was on Morgan’s submarine. In short order, she admitted that she hadn’t been able to convince Arno to help them take the Tower. But she knew how to raise an army. She was going to return to the bunker and use its radio to send a message out to people like them, people that just wanted a safe place to live. Madison had had her dream, Alicia noted. Nick had had his. So had Morgan. Now it was her turn. If you say so… Paul had guessed that the voice telling Alicia to “Follow me” had been hers all along, and now Morgan reckoned that she herself was, in a way, becoming Padre. All he had to do was be ready when Alicia returned, she told him. As the episode drew to a close, Arno and another Stalker gazed down upon a cavern full of trapped walkers. It was noisy and hard to hear, but as far as I could discern, they were going to use the horde to take the Tower for themselves. So, what did you think of the midseason premiere? Waaay too much navel-gazing for me. And nice as Paul was, aren’t there long-running characters that haven’t had a meaningful scene in so long that the time we spent with him would’ve been better spent on them? Hit the comments with your thoughts after grading the episode below.

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